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DTSTART;TZID=America/New_York:20210723T190000
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UID:10000091-1627066800-1627071300@www.educarteinc.org
SUMMARY:Workshop: An Overview of Philippine Native Music with Bo Razón Part II
DESCRIPTION:Bo Razón\, photo by Judy Razón\nThis presentation will be a continuation of Bo Razon’s first EducArte workshop on July 2 about native Philippine music\, covering pre-colonial music roots from two Philippine ethnolinguistic regions which have now become the main sources for Filipino world music. Various ethnic instruments and rhythms from both the Northern & Southern tribes will be demonstrated. The focus will be on bamboo and gong instruments as well as the native boat lutes. The workshop will also examine the Hispanic influence in Philippine music from over three centuries of colonization. Various stringed instruments like the Philippine Banduria & Laúd will be featured as well. \nAbout Bo Razón:\nBo Razón is a multi-instrumentalist\, composer\, recording artist\, and educator. His influences are mainly native music from North & Sub-Saharan Africa\, Cuba\, Southeast Asia\, Brazil\, the Caribbean\, North America\, the Iberian peninsula\, and the Middle East. Passionate about traditional music of indigenous world cultures as well as contemporary music genres\, he seeks ways in which the two may coalesce organically. His skill sets have brought him to work in a musical capacity with several global institutions of art and culture such as the British Council\, the Goethe Institut\, the Alliance Francaise\, Instituto Cervantes\, and the Philippine National Commission for Culture & the Arts. He has taught World & Afro-Latin music at the University of the Philippines\, as well as teaching music to K-12 school kids in California. Bo plays several stringed and skinned (percussion) instruments from diverse global cultures and has performed with many major artists from around the world in many settings and venues in Asia\, Europe\, and the Americas.
URL:https://www.educarteinc.org/event/workshop-an-overview-of-philippine-native-music-with-bo-razon-part-ii/
LOCATION:Online
CATEGORIES:Online,Workshops & Classes
ORGANIZER;CN="EducArte":MAILTO:educarte@educarteinc.org
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DTSTART;TZID=America/New_York:20211119T180000
DTEND;TZID=America/New_York:20211119T193000
DTSTAMP:20211120T013012Z
CREATED:20210910T200152Z
LAST-MODIFIED:20211120T013012Z
UID:10000112-1637344800-1637350200@www.educarteinc.org
SUMMARY:Choro Lecture Series: Connections between Brazilian Choro and American Jazz\, by Andy Connell (virtual)
DESCRIPTION:In this lecture\, Andy Connell\, PhD\, discusses the similarities between American jazz and Brazilian choro. He also presents the work of Hermeto Pascoal\, one of Brazil’s most eccentric\, prolific\, and treasured composers and musicians\, and a man once described by Miles Davis as “one of the most important musicians on the planet.” \nThis is a free\, virtual event that will later be posted to EducArte’s YouTube page. \nAbout Andy Connell:\nAndrew Connell is an ethnomusicologist whose primary research is in Brazilian popular instrumental music\, focusing on issues of identity and musical globalization. He has recent articles published in Music Cultures of Latin America: Global Effects\, Past and Present (UCLA Selected Reports in Ethnomusicology) and Women and Music in America Since 1900 (Greenwood Press) and has given presentations at various national and international conferences including the Society for Ethnomusicology and the International Council of Traditional Music. His current scholarly activities include completing a book on Brazilian jazz. \nAs a performer\, Dr. Connell plays saxophone and clarinet in ensembles ranging from jazz to classical chamber music to Brazilian chorinho. He studied jazz improvisation and arranging with Ray Brown\, clarinet with Rosario Mazzeo\, Janet Averett\, and Fred Ormand\, and saxophone with Don Sinta. He has played with the Santa Cruz\, Monterey\, and Toledo (Ohio) Symphonies\, and has appeared at the Monterey\, Montreux–Detroit\, and San Francisco jazz festivals\, and the Spoleto Festival USA. In addition\, Dr. Connell has performed with a wide range of artists including Luciano Pavarotti\, Dave Leibman\, Lou Rawls\, Mike Marshall\, and Hermeto Pascoal\, and has recorded for the Musical Heritage Society\, Intrada\, Adventure Music\, Earthbeat! Traveler\, and Acoustic Levitation labels. At James Madison University\, Dr. Connell teaches courses in American music\, the history of jazz\, world music\, and coaches small jazz ensembles. \nThis project was made possible by a grant from Maryland Humanities\, with funding received from the Maryland Historical Trust in the Maryland Department of Planning. Maryland Humanities’ Grants Program is also supported by the National Endowment for the Humanities and private funders. Any views\, findings\, conclusions\, or recommendations expressed in this series do not necessarily represent those of Maryland Humanities\, Maryland Historical Trust\, Maryland Department of Planning\, or National Endowment for the Humanities. \n \nLearn more about the full Choro Lecture Series this fall.
URL:https://www.educarteinc.org/event/choro-lecture-series-connections-between-brazilian-choro-and-american-jazz-by-andy-connell-virtual/
LOCATION:Zoom
CATEGORIES:Choro Lecture Series,Online,Presentations
ATTACH;FMTTYPE=image/jpeg:https://www.educarteinc.org/wp-content/uploads/2021/09/Andy-Connell.jpg
ORGANIZER;CN="EducArte":MAILTO:educarte@educarteinc.org
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