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DTSTART;TZID=America/New_York:20200923T200000
DTEND;TZID=America/New_York:20200923T210000
DTSTAMP:20260406T092145
CREATED:20201020T170910Z
LAST-MODIFIED:20211104T225505Z
UID:10000024-1600891200-1600894800@www.educarteinc.org
SUMMARY:African Rhythms in Brazilian Music\, Part I - Workshop with Richard Miller\, PhD
DESCRIPTION:EducArte workshop series. Wednesday\, September 23\, 2020. \nAbout Richard Miller: \nRichard Miller explores the richly expressive sounds of the nylon string guitar (both 7 string and 6 string) with a repertoire that includes Brazilian styles (choro\, samba\, bossa nova\, forró\, etc.)\, American jazz\, Latin American styles (salsa\, bolero\, tangos\, etc.)\, and Classical guitar. He is also active as an educator\, composer\, and writer/presenter for academic publications and conferences. He earned a Ph.D. in music theory from Catholic University of America in 2006 and he has taught theory and guitar at Georgetown University. He holds a Master of Music degree in guitar performance from Manhattan School of Music. Richard Miller was born in Rio de Janeiro\, Brazil to an American father and a Brazilian mother and moved frequently in Brazil\, United States and Puerto Rico (see “Treble is my middle name” under musings). He has become well known in the Washington\, DC area for his performances of both classical guitar music and popular Brazilian and Latin-American music and has traveled extensively for concerts and recitals in United States and Latin America. A review of a recital by Richard at the State Department affirmed “Throughout his recital\, he not only displayed impeccable technique but communicated his love of this beautiful music.” A review in the Washington City Paper by Joel Siegal of the duo of Richard Miller with Patrick de Santos (voice) stated “Patrick and Richard strike a remarkable balance between disciplined technique and otional abandon.”
URL:https://www.educarteinc.org/event/african-rhythms-in-brazilian-music/
LOCATION:Online
CATEGORIES:Online,Workshops & Classes
ORGANIZER;CN="EducArte":MAILTO:educarte@educarteinc.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200922T190000
DTEND;TZID=America/New_York:20200922T203000
DTSTAMP:20260406T092145
CREATED:20200826T153755Z
LAST-MODIFIED:20211104T225458Z
UID:10000018-1600801200-1600806600@www.educarteinc.org
SUMMARY:Trio Júlio
DESCRIPTION:Join us for this extra special virtual performance and conversation with the brothers of Trio Júlio from Rio de Janeiro! \nTrio Júlio is a Brazilian music trio comprised of brothers Magno (percussion) and twins Marlon (7-string guitar) and Maycon (mandolin). Their charismatic performances combine choro\, samba\, and other Brazilian rhythms. The trio was recognized at the “II Fetival Curitiba no Choro” for Marlon Júlio’s composition “Quebrando Tudo\,” and they launched their album “Minha Felicidade” in 2017. They are also professors at the Escola Portátil de Música in Rio de Janeiro\, an internationally recognized school for choro. www.triojulio.com.br \nThe event will be moderated by Pablo Regis. \nJoin us on Facebook or YouTube on Tuesday\, September 22 at 7PM US/Eastern to see the performance live. \nRSVP on Facebook: https://www.facebook.com/events/336103767747071/
URL:https://www.educarteinc.org/event/trio-julio/
LOCATION:Online
CATEGORIES:Online,Presentations
ORGANIZER;CN="EducArte":MAILTO:educarte@educarteinc.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200904T200000
DTEND;TZID=America/New_York:20200904T210000
DTSTAMP:20260406T092145
CREATED:20200813T132529Z
LAST-MODIFIED:20211104T225452Z
UID:10000017-1599249600-1599253200@www.educarteinc.org
SUMMARY:Transnational Popular Music and Dance of Brazil & Ireland: Rob Curto\, Paddy League\, and Kate Spanos
DESCRIPTION:Forró\, frevo\, reels\, jigs\, and the button accordion. There are more connections than you know between the popular music and dances of Brazil and Ireland! \nJoin us for a conversation between ethnomusicologist Paddy League\, Ph.D.\, ethnochoreologist Kate Spanos\, Ph.D.\, and accordion master musician Rob Curto. They will describe their experiences and research in northeastern Brazilian and traditional Irish music and dance. The program will be moderated by Bryan McCann\, Ph.D. of Georgetown University. We invite you to join us and ask questions with this distinguished panel.  \nThis is the first in a series of conversations and multidisciplinary productions\, and the beginning of an artistic collaboration between these artist/scholars. \nJoin us on Facebook or YouTube on Friday\, September 4 at 8PM US/Eastern to join the conversation live. \nRSVP on Facebook: https://www.facebook.com/events/308480846887212 \nAbout the guests:\nRob Curto\nRob Curto is an accordionist\, pianist\, and composer based in Philadelphia\, and is the bandleader of Fish Harmonics\, influenced by decades of music-making around the world. Steeped in American jazz piano standards\, Rob discovered the accordion as an adult\, and his curiosity led him to Brazil on a Fulbright project–where he ended up living on-and-off for several years in the Northeast\, learning and absorbing the music traditions\, and especially the piano accordion. Rob was part of establishing the Forro “scene” in the US with Rob Curto’s Forro For All\, and toured the world with his “Brazilian Bluegrass” band\, Matuto. Curto has developed an interest in Irish button box\, adding B/C button accordion to his repertoire. He studies with NEA National Heritage Fellow and multi-All Ireland Champion\, Billy McComisky\, and occasionally with John Whelan and PJ Hernon. Curto is profoundly interested in the (relatively) recent history of accordion in traditional Irish music. \nPaddy League\nPanayotis (Paddy) League grew up around traditional Irish and Greek music and dance\, and by his teenage years was performing professionally throughout both diasporas on a number of string and percussion instruments. For the last decade he has devoted much of his time and energy to studying the button accordion music of Northeast Brazil\, particularly the style developed by the Calixto family of Campina Grande\, Paraíba. He is currently Assistant Professor of Ethnomusicology at Florida State University and Director of the Center for Music of the Americas. He has published widely on the music\, dance\, and oral poetry traditions of the Aegean Greek islands\, and is working on several print and multimedia projects in collaboration with Paraiban button accordionist Luizinho Calixto. \nKate Spanos\nKate Spanos\, Ph.D.\, is a dancer\, educator\, scholar\, and arts administrator whose work focuses on “dances of resistance” and social change through dance. She is an Irish dancer from Washington\, DC and she completed an MA in traditional Irish dance performance at the University of Limerick in 2008. Her doctoral dissertation (University of Maryland) focused on the festivals and masquerade dances of Montserrat\, the “Other Emerald Isle” of the Caribbean. She also practices various Brazilian movement forms including capoeira\, frevo\, and samba. In 2018\, she was a postdoctoral Fulbright scholar in Recife\, Brazil\, where she studied popular dance of Pernambuco\, including frevo\, cavalo marinho\, and maracatu rural. www.thekatespanos.com \nBryan McCann\nBryan McCann\, Ph.D.\, is the department chair and a professor of Brazilian history in the History Department at Georgetown University. He is the author of the books Hello\, Hello Brazil: Popular Music in the Making of Modern Brazil (Duke\, 2004) and João Gilberto and Stan Getz’s Getz/Gilberto (Bloomsbury\, 2018)\, as well as numerous articles on Brazilian popular music.
URL:https://www.educarteinc.org/event/brazilian-irish-collaboration-rob-curto-paddy-league-and-kate-spanos/
LOCATION:Online
CATEGORIES:Online,Presentations
ORGANIZER;CN="EducArte":MAILTO:educarte@educarteinc.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200821T200000
DTEND;TZID=America/New_York:20200821T210000
DTSTAMP:20260406T092145
CREATED:20200809T124157Z
LAST-MODIFIED:20211104T225445Z
UID:10000014-1598040000-1598043600@www.educarteinc.org
SUMMARY:Forró jam and hang with Rob Curto\, Richard Miller\, and Bryan McCann
DESCRIPTION:Join us for a forró and choro dance party featuring Rob Curto\, Richard Miller\, and Bryan McCann! \nAccordionist Rob Curto and 7-string guitarist Richard Miller will play some forró and choro tunes to get you dancing in your home\, and they will be joined by Brazilian music scholar Bryan McCann for an exciting discussion about the historical and cultural context of these music forms in Brazil. The conversation will be moderated by Pablo Regis. \nCheck out the Facebook event and join us live on Facebook or YouTube on August 21 at 8PM US/Eastern. \nAbout the guests: \nRob Curto (coming soon) \nRichard Miller explores the richly expressive sounds of the nylon string guitar (both 7 string and 6 string) with a repertoire that includes Brazilian styles (choro\, samba\, bossa nova\, forró\, etc.)\, American jazz\, Latin American styles (salsa\, bolero\, tangos\, etc.)\, and Classical guitar. He is also active as an educator\, composer\, and writer/presenter for academic publications and conferences. He earned a Ph.D. in music theory from Catholic University of America in 2006 and he has taught theory and guitar at Georgetown University. He holds a Master of Music degree in guitar performance from Manhattan School of Music. Richard Miller was born in Rio de Janeiro\, Brazil to an American father and a Brazilian mother and moved frequently in Brazil\, United States and Puerto Rico (see “Treble is my middle name” under musings). He has become well known in the Washington\, DC area for his performances of both classical guitar music and popular Brazilian and Latin-American music and has traveled extensively for concerts and recitals in United States and Latin America. A review of a recital by Richard at the State Department affirmed “Throughout his recital\, he not only displayed impeccable technique but communicated his love of this beautiful music.” A review in the Washington City Paper by Joel Siegal of the duo of Richard Miller with Patrick de Santos (voice) stated “Patrick and Richard strike a remarkable balance between disciplined technique and otional abandon.” \nBryan McCann is Department Chair and Professor of Brazilian History in the History Department at Georgetown University. He is the author of the books Hello\, Hello Brazil: Popular Music in the Making of Modern Brazil (Duke\, 2004) and João Gilberto and Stan Getz’s Getz/Gilberto (Bloomsbury\, 2018)\, as well as numerous articles on Brazilian popular music.
URL:https://www.educarteinc.org/event/rob-curto-richard-miller-and-bryan-mccann/
LOCATION:Online
CATEGORIES:Online,Presentations
ORGANIZER;CN="EducArte":MAILTO:educarte@educarteinc.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200801T190000
DTEND;TZID=America/New_York:20200801T200000
DTSTAMP:20260406T092145
CREATED:20200725T003950Z
LAST-MODIFIED:20211104T225436Z
UID:10000013-1596308400-1596312000@www.educarteinc.org
SUMMARY:Women in Brazilian Song: Rose Moraes\, Cissa Paz\, and Elin Melgarejo
DESCRIPTION:Join us for an online conversation about vocal techniques in Brazilian music with renowned singers Elin Melgarejo\, Rose Moraes\, and Cissa Paz. They will talk about techniques for singing samba\, forró\, and bossa nova\, as well as their experiences in the Brazilian music scene in Washington\, DC and how they are dealing with the COVID-19 pandemic as performing artists. \nThe discussion will be moderated by Pablo Regis. Join us live on Facebook and YouTube.
URL:https://www.educarteinc.org/event/women-in-brazilian-song-elin-melgarejo-rose-moraes-and-cissa-paz/
LOCATION:Online
CATEGORIES:Online,Presentations
ORGANIZER;CN="EducArte":MAILTO:educarte@educarteinc.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200731T140000
DTEND;TZID=America/New_York:20200731T153000
DTSTAMP:20260406T092145
CREATED:20200628T151940Z
LAST-MODIFIED:20200905T134724Z
UID:10000010-1596204000-1596209400@www.educarteinc.org
SUMMARY:Ethnographic research workshop: Interviewing
DESCRIPTION:This online workshop is the third in a series of ethnographic research workshops organized in partnership with Fulbridge\, the Fulbrighter Network\, and EducArte. The workshops are for Fulbright alumni\, current Fulbrighters\, and prospective Fulbrighters\, or for anyone interested in ethnographic research. We welcome people from all fields and disciplines to share their experiences and expertise. \nThis workshop (on Zoom) will be an open forum discussion about ethnographic interviewing. Some of the questions we will discuss are: \n\nWhat are the differences between formal interviews and informal conversations?\nWhat are best practices when working with translators and transcribers?\nWhat are discipline-specific suggestions for reading and re-reading transcriptions\, note-taking\, and qualitative research coding?\nHow do we deal with issues of consent/confidentiality when using quotes from interviews or informal conversations?\n\nTo register\, visit tiny.cc/FulbridgeEthnography3. More information about the workshops and video recordings of previous workshops can be found here.
URL:https://www.educarteinc.org/event/ethnographic-research-workshop/
LOCATION:Zoom
CATEGORIES:Workshops & Classes
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200711T190000
DTEND;TZID=America/New_York:20200711T200000
DTSTAMP:20260406T092145
CREATED:20200630T174416Z
LAST-MODIFIED:20211104T225428Z
UID:10000011-1594494000-1594497600@www.educarteinc.org
SUMMARY:Geovane Santos and Richard Miller on Brazilian jazz
DESCRIPTION:Join us for an online conversation about Brazilian jazz with talented guitarists and educators Geovane Santos and Richard Miller. They will play some solo pieces and talk about their journeys performing and teaching Brazilian jazz guitar. \nAbout Geovane Santos: \nGeovane Santos\, a native Brazilian from the city of Belo Horizonte\, is a guitarist\, composer\, arranger\, vocalist\, educator\, and awardee of the 2017 Louis Armstrong Foundation Jazz Composer Award through ASCAP in association with the University of New Orleans (UNO). Currently a local presence in the New Orleans music scene\, in his debut album “Jobim\,” Santos pays tribute to one of Brazil’s greatest composers of all time: Antonio Carlos Jobim. In spite of being regarded as well rounded solo guitarist and improviser\, Santos doesn’t have his solo guitar playing in the forefront at all. More as a collaborative effort\, every song has a featured musician\, either carrying the melody\, singing\, or improvising. The entire album consists of Santos’s impressions of Jobim’s music. There are numbers that reenact the classic Bossa-Nova sound such as in Corcovado\, Once I Love\, Chega de Saudade\, Wave. and Só Danço Samba; jazzed up rendition of Triste; Caribbean sounds from Haiti and Jamaica on Água de Beber and Girl From Ipanema; Fusion rock on How Insensitive and O Morro Não tem Vez; and Dindi as a romantic ballad. The album is very diverse\, not only for the genres chosen for each selection\, but in terms of instrumentation\, which mixes acoustic and electric instruments\, and songs sung in English and Portuguese (a defining characteristic of Jobim’s music). \nYou can find Geovane Santos’ information at www.gpstheguitarist.com. \nAbout Richard Miller: \nRichard Miller explores the richly expressive sounds of the nylon string guitar (both 7 string and 6 string) with a repertoire that includes Brazilian styles (choro\, samba\, bossa nova\, forró\, etc.)\, American jazz\, Latin American styles (salsa\, bolero\, tangos\, etc.)\, and Classical guitar. He is also active as an educator\, composer\, and writer/presenter for academic publications and conferences. He earned a Ph.D. in music theory from Catholic University of America in 2006 and he has taught theory and guitar at Georgetown University. He holds a Master of Music degree in guitar performance from Manhattan School of Music. Richard Miller was born in Rio de Janeiro\, Brazil to an American father and a Brazilian mother and moved frequently in Brazil\, United States and Puerto Rico (see “Treble is my middle name” under musings). He has become well known in the Washington\, DC area for his performances of both classical guitar music and popular Brazilian and Latin-American music and has traveled extensively for concerts and recitals in United States and Latin America. A review of a recital by Richard at the State Department affirmed “Throughout his recital\, he not only displayed impeccable technique but communicated his love of this beautiful music.” A review in the Washington City Paper by Joel Siegal of the duo of Richard Miller with Patrick de Santos (voice) stated “Patrick and Richard strike a remarkable balance between disciplined technique and otional abandon.”
URL:https://www.educarteinc.org/event/brazilian-jazz-conversation-geovane-santos-and-richard-miller/
LOCATION:Online
CATEGORIES:Online,Presentations
ORGANIZER;CN="EducArte":MAILTO:educarte@educarteinc.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200519T170000
DTEND;TZID=America/New_York:20200519T183000
DTSTAMP:20260406T092145
CREATED:20200905T173604Z
LAST-MODIFIED:20200905T173624Z
UID:10000016-1589907600-1589913000@www.educarteinc.org
SUMMARY:Ethnographic research workshop: Ethnographic observation and participant observation in Fulbright research
DESCRIPTION:How do we acknowledge our biases and reflect on how our cultural perspectives are formed? How do we physically position ourselves in a space that is unfamiliar to us? How do we behave when etiquette is unknown or language is an obstacle? What does participation look like\, and when is participation appropriate or inappropriate? \nPanelists: \n\nGordon Bronitsky – Senior Fulbright Professor\, Germany 1984-5\, teaching area American Indians; Senior Fulbright Specialist\, Kenya 2010; Senior Fulbright Specialist Zimbabwe 2016-2017; President\, Bronitsky and Associates indigenow.com\, a firm that works with Indigenous peoples around the world in the performing arts (traditional and contemporary) and festival development on every continent except Antarctica\nPadmini Bhuyan Boruah – Professor & Head\, Department of English language Teaching\, Gauhati University\, India; FNAPE Teaching & Research Fellowship\, 2019-20. Host institution: University of San Diego\, CA; Home institution: Gauhati University\, India; Research interests: English Language Teacher Education; Action Research\nLoneka Wilkinson-Battiste – Assistant Professor of Music Education\, University of Tennessee\, Knoxville; Brazil 2019; Fulbright Postdoctoral Teaching and Research Fellowship\, 2019. Host institution: Universidade Federal de Pernambuco\, Recife\, Pernambuco\, Brazil. Areas studied: coco de roda\nKate Spanos – Brazil 2018\, dance anthropology\, University of Maryland\, College Park (moderator)\n\n  \n \nFor more information and registration\, visit tiny.cc/FulbridgeEthnography2
URL:https://www.educarteinc.org/event/ethnographic-research-workshop-2/
LOCATION:Online
CATEGORIES:Online,Workshops & Classes
ORGANIZER;CN="EducArte":MAILTO:educarte@educarteinc.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200331T170000
DTEND;TZID=America/New_York:20200331T183000
DTSTAMP:20260406T092145
CREATED:20200905T173320Z
LAST-MODIFIED:20200905T173405Z
UID:10000012-1585674000-1585679400@www.educarteinc.org
SUMMARY:Ethnographic research workshop: Panel discussion about ethnography and cultural encounters in Fulbright research
DESCRIPTION:At the core of Fulbright’s mission is cultural ambassadorship and international partnership. What are some common concerns for Fulbrighters when working in a new country? How do cultural encounters shape our Fulbright research or work? How do we develop meaningful collaborations with other Fulbrighters and local researchers in productive and sensitive ways? \nPanelists: \n\nRachita Sood – Fulbright-Nehru Scholar in India\, 2015-16 – postdoctoral research fellow at Northwestern University\, medicine\nJanet Robbins – Fulbright Specialist in Brazil\, 2018 – professor emerita at West Virginia University\, world music pedagogy\nKate Spanos – Fulbright U.S. Scholar in Brazil\, 2018 – adjunct faculty and marketing staff at University of Maryland\, dance anthropology and performance studies\nAmy Kuritzky – Fulbright Student Research in Ecuador\, 2019-20 (current) – recent graduate of Rice University\, nutritional anthropology\, environmental science\, and anthropology\nIlana Herold – Fulbright English Teaching Assistant in South Korea\, 2019-20 (current) – recent graduate of University of Maryland\, environmental science and technology\n\n  \n \nMore information and registration at tiny.cc/FulbridgeEthnography
URL:https://www.educarteinc.org/event/ethnographic-research-workshop-1/
LOCATION:Online
CATEGORIES:Online,Workshops & Classes
ORGANIZER;CN="EducArte":MAILTO:educarte@educarteinc.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200319T120000
DTEND;TZID=America/New_York:20200319T130000
DTSTAMP:20260406T092145
CREATED:20200303T014016Z
LAST-MODIFIED:20200313T140334Z
UID:10000004-1584619200-1584622800@www.educarteinc.org
SUMMARY:POSTPONED: Frevo dance presentation
DESCRIPTION:Note: In response to the COVID-19 outbreak\, this event has been postponed. Stay tuned for rescheduling details.\nKate Spanos\, PhD will present her research on frevo dance in a talk entitled\, “A Dance of Resistance from Recife\, Brazil: Carnivalesque Improvisation in Frevo\,” at the Smithsonian Center for Folklife and Cultural Heritage. \nAbstract:\nFrevo is an energetic music and dance that symbolizes Brazil’s northeastern state of Pernambuco: loud brass instruments provide the fast-paced music and dancers in bright costumes hold small colorful umbrellas as they perform quick footwork and acrobatics. The word frevo is a colloquial form of the Portuguese verb ferver (“to boil”) that alludes its frenetic nature and the hot\, sweaty Carnival during which it is danced\, especially in Pernambuco’s capital\, Recife. In this presentation\, I present ethnographic research based on six months of fieldwork in Recife to examine frevo as a “dance of resistance” that implements strategies derived from its origins in the Brazilian martial art of capoeira. In considering how frevo’s playful and carnivalesque nature combines with its improvisational techniques\, I propose the term “carnivalesque improvisation” to describe how dancers communicate cultural knowledge and work through and around the unpredictability and frequent violence of Carnival and Recife’s society at large. I examine the teaching methodologies and performance strategies of selected frevo groups\, performers\, and choreographers to show how practitioners challenge sociocultural boundaries and socioeconomically determined attitudes. \nBio:\nKate Spanos\, PhD is a dancer and dance scholar specializing in studies of dance\, music\, and festival in Brazil\, the Eastern Caribbean\, and Ireland. In her research\, she examines kinesthetic strategies involved in “dances of resistance” from cultures around the world. She has conducted research on frevo in Recife\, Brazil as a postdoctoral Fulbright U.S. Scholar and on masquerades on the Caribbean island of Montserrat as a doctoral candidate at the University of Maryland\, College Park. She received her Master’s in Traditional Irish Dance Performance from the University of Limerick in Ireland.
URL:https://www.educarteinc.org/event/frevo-dance-presentation/
LOCATION:Smithsonian Center for Folklife and Cultural Heritage\, Capital Gallery Building\, 600 Maryland Avenue SW Suite 2001\, Washington\, DC\, 20024\, United States
CATEGORIES:Presentations
ATTACH;FMTTYPE=image/jpeg:https://www.educarteinc.org/wp-content/uploads/2020/03/KSpanos-Frevo-Recife-sepia-José-Henrique-Lustosa-Roriz.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200317T083000
DTEND;TZID=America/New_York:20200317T113000
DTSTAMP:20260406T092145
CREATED:20200303T013304Z
LAST-MODIFIED:20200313T140443Z
UID:10000003-1584433800-1584444600@www.educarteinc.org
SUMMARY:POSTPONED: Capoeira workshop (private event)
DESCRIPTION:Note: In response to the COVID-19 outbreak\, this event has been postponed. Stay tuned for rescheduling details.\nPablo Regis de Oliveira and Kate Spanos teach capoeira history\, music\, and movement to 6th graders at the Washington International School. Private event.
URL:https://www.educarteinc.org/event/capoeira-workshop-private-event/
LOCATION:Washington International School\, 3100 Macomb Street NW\, Washington\, DC\, 20008\, United States
CATEGORIES:Workshops & Classes
ATTACH;FMTTYPE=image/jpeg:https://www.educarteinc.org/wp-content/uploads/2020/03/capoeira-umd.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200306T034500
DTEND;TZID=America/New_York:20200306T171500
DTSTAMP:20260406T092145
CREATED:20200303T014604Z
LAST-MODIFIED:20200306T160117Z
UID:10000005-1583466300-1583514900@www.educarteinc.org
SUMMARY:Irish step dance workshop
DESCRIPTION:Kate Spanos teaches at the American College Dance Association (ACDA) Mid-Atlantic North conference at the University of Maryland\, College Park. The class covers the basic techniques of Irish step dance\, with a focus on body posture and footwork. Students learn movements from Irish dance vocabulary and explore the incorporation of these movements into personal style through improvisation exercises. \nConference registration required.
URL:https://www.educarteinc.org/event/irish-step-dance-workshop/
LOCATION:The Clarice Smith Performing Arts Center\, College Park\, MD\, 20742\, United States
CATEGORIES:Workshops & Classes
ATTACH;FMTTYPE=image/jpeg:https://www.educarteinc.org/wp-content/uploads/2020/03/IMG-6754GeoffSheil-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200305T154500
DTEND;TZID=America/New_York:20200305T171500
DTSTAMP:20260406T092145
CREATED:20200303T014754Z
LAST-MODIFIED:20200302T210346Z
UID:10000006-1583423100-1583428500@www.educarteinc.org
SUMMARY:Brazilian dances of resistance: capoeira and frevo movement
DESCRIPTION:Kate Spanos teaches at the American College Dance Association (ACDA) Mid-Atlantic North conference at the University of Maryland\, College Park. The class covers movement vocabulary from the Brazilian dance traditions of capoeira and frevo. Capoeira is a “martial art disguised as a dance” and frevo is a carnival dance with origins in capoeira. Students learn how capoeira and frevo are “dances of resistance\,” using improvisational exercises. \nConference registration required.
URL:https://www.educarteinc.org/event/brazilian-dances-of-resistance-capoeira-and-frevo-movement/
LOCATION:The Clarice Smith Performing Arts Center\, College Park\, MD\, 20742\, United States
CATEGORIES:Workshops & Classes
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200212T143000
DTEND;TZID=America/New_York:20200212T154500
DTSTAMP:20260406T092145
CREATED:20200303T172151Z
LAST-MODIFIED:20200303T172212Z
UID:10000009-1581517800-1581522300@www.educarteinc.org
SUMMARY:Dances of resistance and frevo: Lecture and discussion
DESCRIPTION:Kate Spanos\, PhD visits Dr. Maria Cecília Zea’s cross-cultural psychology class at George Washington University for a discussion about dance ethnography\, dances of resistance\, and Brazilian frevo—and how these themes connect to cross-cultural psychology.
URL:https://www.educarteinc.org/event/dances-of-resistance-and-frevo-lecture-and-discussion-2/
LOCATION:George Washington University\, DC\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200210T143000
DTEND;TZID=America/New_York:20200210T154500
DTSTAMP:20260406T092145
CREATED:20200303T172050Z
LAST-MODIFIED:20200303T172050Z
UID:10000008-1581345000-1581349500@www.educarteinc.org
SUMMARY:Dances of resistance and frevo: Lecture and discussion
DESCRIPTION:Kate Spanos\, PhD visits Dr. Maria Cecília Zea’s cross-cultural psychology class at George Washington University for a discussion about dance ethnography\, dances of resistance\, and Brazilian frevo—and how these themes connect to cross-cultural psychology.
URL:https://www.educarteinc.org/event/dances-of-resistance-and-frevo-lecture-and-discussion/
LOCATION:George Washington University\, DC\, United States
CATEGORIES:Workshops & Classes
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